The Miners Foundry Cultural Center is proud to present Squirrel Nut Zippers on Wednesday, March 7, at 8 p.m. (doors open at 7 p.m.).
2016 marked the 20th Anniversary of the Squirrel Nut Zippers most celebrated and commercially successful album Hot. Originally released in the summer of 1996, Hot was the follow up to the band’s critically acclaimed debut The Inevitable and featured the popular singles “Hell,” “Put a Lid On It” and “Blue Angel.” Thanks to early support from NPR, college radio and non-commercial stations, Hot sold over 1.3 million copies. In honor of the 20th Anniversary, along with a brand new album called Beasts of Burgundy out March 23, Squirrel Nut Zippers have crafted a brand new stage show to serve up the band’s unique musical flavor.
“It’s not a reunion, it’s a revival!” said bandleader Jimbo Mathus. “The band includes cutting edge talent from New Orleans and the songs have been brought to life in an exciting new way. But most things remain unchanged… an amazing experience for young and old.”
The Squirrel Nut Zippers began their musical journey in Chapel Hill, North Carolina, in the mid 1990’s, as a musician’s escape from the cookie cutter world of modern rock radio at the time. Jimbo Mathus along with drummer/percussionist Chris Phillips formed the band as a casual musical foray among friends and family in the area. It wasn’t long before the band’s quirky mix of Jazz chords, Folk music, and Punk Rock leanings spread out of the region and attracted a national audience.
Between 1995-2000 the Squirrel Nut Zippers sold over three million albums. Their watershed album, Hot (1996) was recorded in the heat of New Orleans, fueled by a smoldering mix of booze and a youthful hunger to unlock the secrets of old world jazz. This passion mixed with Klezmer, Blues, Americana and random bits of contemporary music became the bands signature style. At the time, there were few other bands inhabiting this space. The album would eventually break free of any “jazz” stereotypes and land on commercial radio, taking the band to remarkable heights for what was essentially an anti-establishment sound.
Years later and through chronicles of every kind, the band has emerged from a lengthy recording hiatus, reinvigorated, reinvested, and rejuvenated. With an all-star cast of New Orleans musicians, the band breathed new life in to the old material, and inspired Mathus to return to the studio to reignite the band’s unique, enigmatic sound.
The result is the first Squirrel Nut Zippers studio album in eighteen years titled Beasts of Burgundy. A return to form, the album embraces the city that first inspired the group. Enlisting Mike Napolitano – who recorded all the bands previous albums – was a magical first step in the process. “Nappy’s Dugout”, located in the Marigny, resembled the original style and feel of Kingsway, the now gone studio where the Zippers recorded much of their catalog. The Dugout, located in the home of Mike Napolitano and Ani DiFranco, created the perfect environment to inspire the original feeling that so excited Mathus at the very beginning of the Zippers long career.
A long list of songs in hand, Jimbo and violin player Dr. Sick began shaping and crafting the songs that would eventually become Beasts of Burgundy, a handsome moniker referring to Burgundy Street in New Orleans.
“The Zippers have always been full of outlandish characters which provide great self referential material for songs” Mathus remarked. “The new revival of the band is no exception and, since we rehearsed the new show on Burgundy St in New Orleans, I thought of this title and story about the ‘Beasts’ who accidentally miss Mardi Gras.”
The album itself heralds the band’s mission whilst having a fresh objective of it’s own; A hand tailored thrift store suit of songs, stitched into one complete body of material. All drawing from the same well of mystery, dark alleyways, and long forgotten potions of romance, this album weaves together true stories from New Orleans past, along with rollicking barnstormers full of all the usual twists and turns that are the hallmark of the Squirrel Nut Zippers sound.
The first single from the album “Karnival Joe (From Kokomo)” comes directly from Jimbo’s interest in carney folk.
“I’ve always been fascinated by Side Shows and Carnival Midways,” said Mathus. “Karnival Joe was inspired by an obscure recording from Dr. Souchon and from reading about the old Cayetano Circus Of New Orleans.”
The group has spent the better part of the last two years shaping its chemistry and honing its sound on the road, working its way towards this inevitable conclusion of songs. A kind of uncontrolled experiment in music on the road allowed the band to feed off audience’s energy and surrender to the dancing muse, rather than trying to subscribe to a preconceived notion. An audience…a band onstage…both complicit in the desire to defy the world as we know, if only for a brief spell.
“Let the music lead,” was always Jimbo’s motto, and continues to be.